Table of Contents:

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Preface

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Introduction: On Taste

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PART I

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SECTION I. NOVELTY

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SECTION II. PAIN AND PLEASURE

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SECTION III. THE DIFFERENCE BETWEEN THE REMOVAL OF PAIN AND POSITIVE PLEASURE

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SECTION IV. OF DELIGHT AND PLEASURE, AS OPPOSED TO EACH OTHER

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SECTION V. JOY AND GRIEF

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SECTION VI. OF THE PASSIONS WHICH BELONG TO SELF-PRESERVATION

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SECTION VII. OF THE SUBLIME

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SECTION VIII. OF THE PASSIONS WHICH BELONG TO SOCIETY

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SECTION IX. THE FINAL CAUSE OF THE DIFFERENCE BETWEEN THE PASSIONS BELONGING TO SELF-PRESERVATION AND THOSE WHICH REGARD THE SOCIETY OF THE SEXES

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SECTION X. OF BEAUTY

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SECTION XI. SOCIETY AND SOLITUDE

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SECTION XII. SYMPATHY, IMITATION, AND AMBITION

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SECTION XIII. SYMPATHY

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SECTION XIV. THE EFFECTS OF SYMPATHY IN THE DISTRESSES OF OTHERS

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SECTION XV. OF THE EFFECTS OF TRAGEDY

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SECTION XVI. IMITATION

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SECTION XVII. AMBITION

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SECTION XVIII. THE RECAPITULATION

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SECTION XIX. THE CONCLUSION

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PART II

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SECTION I. OF THE PASSION CAUSED BY THE SUBLIME

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SECTION II. TERROR

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SECTION III. OBSCURITY

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SECTION IV. OF THE DIFFERENCE BETWEEN CLEARNESS AND OBSCURITY WITH REGARD TO THE PASSIONS

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SECTION V. POWER

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SECTION VI. PRIVATION

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SECTION VII. VASTNESS

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SECTION VIII. INFINITY

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SECTION IX. SUCCESSION AND UNIFORMITY

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SECTION X. MAGNITUDE IN BUILDING

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SECTION XI. INFINITY IN PLEASING OBJECTS

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SECTION XII. DIFFICULTY

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SECTION XIII. MAGNIFICENCE

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SECTION XIV. LIGHT

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SECTION XV. LIGHT IN BUILDING

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SECTION XVI. COLOR CONSIDERED AS PRODUCTIVE OF THE SUBLIME

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SECTION XVII. SOUND AND LOUDNESS

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SECTION XVIII. SUDDENNESS

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SECTION XIX. INTERMITTING

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SECTION XX. THE CRIES OF ANIMALS

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SECTION XXI. SMELL AND TASTE.—BITTERS AND STENCHES

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SECTION XXII. FEELING.—PAIN

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PART III

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SECTION I. OF BEAUTY

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SECTION II. PROPORTION NOT THE CAUSE OF BEAUTY IN VEGETABLES

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SECTION III. PROPORTION NOT THE CAUSE OF BEAUTY IN ANIMALS

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SECTION IV. PROPORTION NOT THE CAUSE OF BEAUTY IN THE HUMAN SPECIES

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SECTION V. PROPORTION FURTHER CONSIDERED

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SECTION VI. FITNESS NOT THE CAUSE OF BEAUTY

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SECTION VII. THE REAL EFFECTS OF FITNESS

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SECTION VIII. THE RECAPITULATION

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SECTION IX. PERFECTION NOT THE CAUSE OF BEAUTY

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SECTION X. HOW FAR THE IDEA OF BEAUTY MAY BE APPLIED TO THE QUALITIES OF THE MIND

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SECTION XI. HOW FAR THE IDEA OF BEAUTY MAY BE APPLIED TO VIRTUE

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SECTION XII. THE REAL CAUSE OF BEAUTY

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SECTION XIII. BEAUTIFUL OBJECTS SMALL

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SECTION XIV. SMOOTHNESS

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SECTION XV. GRADUAL VARIATION

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SECTION XVI. DELICACY

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SECTION XVII. BEAUTY IN COLOR

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SECTION XVIII. RECAPITULATION

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SECTION XIX. THE PHYSIOGNOMY

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SECTION XX. THE EYE

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SECTION XXI. UGLINESS

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SECTION XXII. GRACE

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SECTION XXIII. ELEGANCE AND SPECIOUSNESS

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SECTION XXIV. THE BEAUTIFUL IN FEELING

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SECTION XXV. THE BEAUTIFUL IN SOUNDS

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SECTION XXVI. TASTE AND SMELL

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SECTION XXVII. THE SUBLIME AND BEAUTIFUL COMPARED

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PART IV

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SECTION I. OF THE EFFICIENT CAUSE OF THE SUBLIME AND BEAUTIFUL

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SECTION II. ASSOCIATION

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SECTION III. CAUSE OF PAIN AND FEAR

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SECTION IV. CONTINUED

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SECTION V. HOW THE SUBLIME IS PRODUCED

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SECTION VI. HOW PAIN CAN BE A CAUSE OF DELIGHT

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SECTION VII. EXERCISE NECESSARY FOR THE FINER ORGANS

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SECTION VIII. WHY THINGS NOT DANGEROUS SOMETIMES PRODUCE A PASSION LIKE TERROR

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SECTION IX. WHY VISUAL OBJECTS OF GREAT DIMENSIONS ARE SUBLIME

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SECTION X. UNITY WHY REQUISITE TO VASTNESS

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SECTION XI. THE ARTIFICIAL INFINITE

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SECTION XII. THE VIBRATIONS MUST BE SIMILAR

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SECTION XIII. THE EFFECTS OF SUCCESSION IN VISUAL OBJECTS EXPLAINED

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SECTION XIV. LOCKE’S OPINION CONCERNING DARKNESS CONSIDERED

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SECTION XV. DARKNESS TERRIBLE IN ITS OWN NATURE

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SECTION XVI. WHY DARKNESS IS TERRIBLE

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SECTION XVII. THE EFFECTS OF BLACKNESS

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SECTION XVIII. THE EFFECTS OF BLACKNESS MODERATED

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SECTION XIX. THE PHYSICAL CAUSE OF LOVE

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SECTION XX. WHY SMOOTHNESS IS BEAUTIFUL

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SECTION XXI. SWEETNESS, ITS NATURE

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SECTION XXII. SWEETNESS RELAXING

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SECTION XXIII. VARIATION, WHY BEAUTIFUL

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SECTION XXIV. CONCERNING SMALLNESS

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SECTION XXV. OF COLOR

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PART V

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SECTION I. OF WORDS

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SECTION II. THE COMMON EFFECTS OF POETRY, NOT BY RAISING IDEAS OF THINGS

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SECTION III. GENERAL WORDS BEFORE IDEAS

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SECTION IV. THE EFFECT OF WORDS

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SECTION V. EXAMPLES THAT WORDS MAY AFFECT WITHOUT RAISING IMAGES

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SECTION VI. POETRY NOT STRICTLY AN IMITATIVE ART

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SECTION VII. HOW WORDS INFLUENCE THE PASSIONS

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